Author Lawrence Shainberg will be at the Zen Center of NYC on Saturday, October 5th for a reading from his new book, Four Men Shaking. We used this as an excuse to catch up with our old friend “Larry-san” and to talk about the new book and how it came into being.
Oh my gosh! How did the high privilege ever come to me to review this book? I am lost in it and continually astonished. Margaret Gibson’s newest book of poems, Not Hearing the Wood Thrush, is ripe and full and endlessly transcendent. Not hearing the wood thrush is a fine art that we would all do well to learn
She makes her way and takes us with her through the dozen doors and windows of her poems into the woods, the river, and the star fields.
It is perhaps a widely held assumption about the Zen arts that they occur in a bubble of tranquility and equanimity unsullied by the chaos of the world.
One might picture a solitary painter or poet, or a silent line of archers practicing kyudo (Zen archery), each focused singularly on the completion of a perfect act. That assumption might be correct to a point, but Painting Peace, Art in a Time of Global Crisis by Kazuaki Tanahashi opens up a different view.
by Rev. angel Kyodo williams Sensei, Lama Rod Owens and Jasmine Syedullah, Ph.D. North Atlantic Books Review by Theresa Braine, MRO
Barbecuing, AirBnB-ing, Waiting, Living…While Black. Police interactions ranging from traumatic to deadly. Not to mention: redlining, gentrification and incarceration-for-profit. The outrages abound. Where does Buddhism land in all this? Enter Radical Dharma: Talking Race, Love, and Liberation, which starts the conversation with a road map for cutting through the collective conditioning of the white supremacist mind-set that we all, knowingly or unknowingly, live with.
In this collection of transcribed talks, Dainin Katagiri, one of the founding teachers of North America Zen, manifests how the universe is suffused with a dynamic energy that fills and sustains our lives.I use the word ‘manifest’ here because, in my experience, this book is an actual manifestation of its title, shining a new light on my experience of the world.
Shaun Bythell’s “The Diary of a Bookseller” is a gem of a book. Bythell, the owner of Scotland’s largest second-hand bookstore, gives us this day-by-day account of his life as a bookseller. It’s a warm and funny book marked by Bythell’s dark, dead-pan humor. He begins by admitting that he fits the stereotype of the “impatient, intolerant, antisocial proprietor.” But this wasn’t always the case: he began when he bought his shop as eagerly and naively as any thirty-one-year-old embarking on their first business venture. The shop, though—with its haggling customers, arguing staff and the “constant barrage of dull questions”—turned him into a bit of a misanthrope.
A single word runs like a fissure through the short essays that introduce us to the poets collected by David Hinton in The Wilds of Poetry: Adventures in Mind and Landscape: “contact”. These poets, Hinton demonstrates, share a set of common philosophical assumptions that derive from the Taoist-Ch’an tradition, his field of expertise. That tradition entered the slipstream of American culture after the Second World War and affected the diverse fields of dance, theater, music, ceramics, the visual arts, philosophy, and poetry. Hinton traces the threads of influence and affinities among his selected poets, all of whom were wrestling with the American language to demonstrate into what he refers to again and again as “contact.” That is, the direct experience of the world unmediated by thought and interpretation.
What would a world look like where the rules of economics were governed by Buddhist principles? Clair Brown has set out to imagine such a world, drawing on her experience as an economics professor at University of California Berkeley and a longtime Tibetan Buddhist practitioner. Her book offers us the promise of laying out a road map to “an enlightened approach to the dismal science”
Ahimsa, the Sanskrit word for non-harming, is an elemental attribute of the Buddha’s teaching. The concept of “harm,” in and of itself, is not mysterious. It manifests when we needlessly inflict damage, pain, or suffering on any patchwork in the fabric of reality. Later Buddhism codified the notion of saving all sentient beings as an outgrowth of this non-harming. All beings with sentience or consciousness—or to put it in more biological terms, with a spinal column—are able to demonstrate their desire to live their own destinies, their own lives. And this is where Matthieu Ricard, former scientist now an ordained Tibetan monastic, begins his exploration of our relationship with the animal world: if we, not as Buddhists but as a species (a species of animal, in fact), place value on the moral sanctity of life, how do we continue to justify the imprisonment, torture, and murder of billions of fellow sentient beings each and every day?
As we are often reminded, we do not get to pick the conditions of the time and place we were born into. I ask myself how can I use the conditions rather than let them use me? As the Buddha states in the Five Remembrances, “I am the owner of my actions, heir to my actions, actions are the womb, actions are my relations, actions are my protection.