Many years ago, still in college, I hitchhiked north from Berkeley to the uppermost reaches of California, my last ride dropping me off at the foot of Mt. Shasta in the southern Cascade Range. I didn’t yet know of the Zen monastery there but I’d come on a quasi-spiritual quest all the same. A friend had recently committed suicide and, in his honor, I wanted to test the fragile membrane of my own existence, going deep into solitude amidst the quiet embrace of a mountain landscape.
This book is unlike any book I have ever read. Like a quilt, each
piece contributes a unique perspective and style, coming together to
provide warmth and comfort on the dharma path. Whether you are
cisgender, trans, questioning, or something else entirely, you will
find fresh perspectives on the dharma that will speak directly to
your own experience, as well as perspectives that you may have never
Author Lawrence Shainberg will be at the Zen Center of NYC on Saturday, October 5th for a reading from his new book, Four Men Shaking. We used this as an excuse to catch up with our old friend “Larry-san” and to talk about the new book and how it came into being.
Oh my gosh! How did the high privilege ever come to me to review this book? I am lost in it and continually astonished. Margaret Gibson’s newest book of poems, Not Hearing the Wood Thrush, is ripe and full and endlessly transcendent. Not hearing the wood thrush is a fine art that we would all do well to learn
She makes her way and takes us with her through the dozen doors and windows of her poems into the woods, the river, and the star fields.
It is perhaps a widely held assumption about the Zen arts that they occur in a bubble of tranquility and equanimity unsullied by the chaos of the world.
One might picture a solitary painter or poet, or a silent line of archers practicing kyudo (Zen archery), each focused singularly on the completion of a perfect act. That assumption might be correct to a point, but Painting Peace, Art in a Time of Global Crisis by Kazuaki Tanahashi opens up a different view.
by Rev. angel Kyodo williams Sensei, Lama Rod Owens and Jasmine Syedullah, Ph.D. North Atlantic Books Review by Theresa Braine, MRO
Barbecuing, AirBnB-ing, Waiting, Living…While Black. Police interactions ranging from traumatic to deadly. Not to mention: redlining, gentrification and incarceration-for-profit. The outrages abound. Where does Buddhism land in all this? Enter Radical Dharma: Talking Race, Love, and Liberation, which starts the conversation with a road map for cutting through the collective conditioning of the white supremacist mind-set that we all, knowingly or unknowingly, live with.
In this collection of transcribed talks, Dainin Katagiri, one of the founding teachers of North America Zen, manifests how the universe is suffused with a dynamic energy that fills and sustains our lives.I use the word ‘manifest’ here because, in my experience, this book is an actual manifestation of its title, shining a new light on my experience of the world.
Shaun Bythell’s “The Diary of a Bookseller” is a gem of a book. Bythell, the owner of Scotland’s largest second-hand bookstore, gives us this day-by-day account of his life as a bookseller. It’s a warm and funny book marked by Bythell’s dark, dead-pan humor. He begins by admitting that he fits the stereotype of the “impatient, intolerant, antisocial proprietor.” But this wasn’t always the case: he began when he bought his shop as eagerly and naively as any thirty-one-year-old embarking on their first business venture. The shop, though—with its haggling customers, arguing staff and the “constant barrage of dull questions”—turned him into a bit of a misanthrope.
A single word runs like a fissure through the short essays that introduce us to the poets collected by David Hinton in The Wilds of Poetry: Adventures in Mind and Landscape: “contact”. These poets, Hinton demonstrates, share a set of common philosophical assumptions that derive from the Taoist-Ch’an tradition, his field of expertise. That tradition entered the slipstream of American culture after the Second World War and affected the diverse fields of dance, theater, music, ceramics, the visual arts, philosophy, and poetry. Hinton traces the threads of influence and affinities among his selected poets, all of whom were wrestling with the American language to demonstrate into what he refers to again and again as “contact.” That is, the direct experience of the world unmediated by thought and interpretation.