Catching up with rites of passage happening during fall ango’s 90 days of practice: Jukai for six students, novice ordination, and the Shuso Hossen for senior student Yosha Scott-Childress.
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By Birgitte J. Haug
As fall ango came to an end, Monastery residents gathered to share their three-months of art practice. Led by Hojin Sensei, herself an artist, I felt that her deep interest in the work was contagious. Creative expression in art practice, one of the “eight gates” of Zen training, enriches our practice with something vital and uniquely alive.
From the ango opening retreat Peaceful Dwelling in early March through the greening trees and blossoms of Shuso Hossen in late May, here are highlights from our ninety-days of sangha practice at the Monastery in Spring 2019:
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Jody Hojin Kimmel, Sensei and Vanessa Zuisei Goddard, Sensei, in conversation with Danica Shoan Ankele.
Originally published in Mountain Record journal: “Mother of All Buddhas” (2016)
Dear Sangha,
Not being a native speaker of English, living my 75th year of life, hard of hearing—surely I was way back in the line of candidates for Chief Disciple. Thus, it was a big surprise when Shugen Roshi asked me to be Chief Disciple for Spring Ango. Immediately a line from the Shuso Hossen
Ceremony became real and very present for me: “I feel like a mosquito trying to bite an iron bull.” Fears of incompetence arose in my consciousness.
Dear Sangha,
As Autumn is swiftly approaching and we experience the impermanence of those lovely summer days, we can be reminded of and reflect on the limited time we have in our own life to manifest what we came here to do.
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By Robyn Ikyo Love
On April 8, 2018, Shugen Roshi completed the process of dharma transmission for Vanessa Zuisei Goddard. Zuisei first came into residency in 1995, fresh out of university. She spent 14 years as a monastic and returned to lay life in 2014, continuing to work full time for the Monastery in various capacities. She became a dharma holder in 2015, enabling her to begin leading retreats and training as a teacher both at the Monastery, at the Zen Center of NYC, and with our affiliate groups.
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Dear Sangha,
On Mt. Tremper we are alive in cold February. The wind stings, the ice cracks underfoot, and at night we are dazzled by bright, bright stars. What a privilege it is to live on this mountain and feel the earth turn from season to season and to share our practice with the sun and snow. Now the sun swings around and begins to consider Spring 2018, and we begin to consider Ango. Again, like softening earth, we’ll deepen our practice and find what grows within us.
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by Theresa Braine
The room was dim. About sixty bodies arranged themselves wall-to-wall in rows, eyes closed, supine on zabutons. Imagining themselves dead.
“How did you die?” intoned a voice. “How old were you when you died? Where were you when you died? Who was with you, or not, when you died?”
The questioner was Zen priest and chaplain Trudi Jinpu Hirsch-Abramson, who conducted the retreat Death & Dying: Using Death to Teach Us How to Live, on January 13 at Zen Mountain Monastery. What was most surprising about the weekend was the degree to which we did not talk about death—at least not about our fear of it—but about our lives.
“The prospect of death,” Hirsch-Abramson said, “can launch you into you.”
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On Sunday, December 10, Shugen Roshi officiated Tokudo, the full Monastic Ordination, for Shea Zuiko Ikusei Settimi. During the morning ceremony at the Monastery she received the kesa, zagu, monastic bowl and lineage chart as well as the monastic name Zuiko, which means “auspicious peace.”
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