Residency at the Brooklyn Temple has always been an interweaving of the energy of NYC with the Zen Buddhism of a lay practice center serving the metro-area sangha. In these early weeks of the pandemic, the residents have shifted gears and offer here an inside view of their lives and Zen training, much changed and yet in important ways still very much the same. — MR
I’m sitting outside the Sangha House on day nine of quarantine away from other residents and monastics (I get wifi here), and its a bright, drizzly spring day. A friend down with Covid-19 after we visited—maintaining appropriate distance—and so protecting the other 35 residential sangha members, including our monastic teachers, is a huge priority. So just in case (I feel fine, so far so good), I am practicing solo. The escalation of new cases in New York this week has us all on edge.
This excerpt is from Mountains and Rivers, the annual book-length journal of the MRO which features original contributions from dharma teachers like Hojin Sensei, an artist, ceramicist and director of training at Zen Mountain Monastery. Learn more here about the journal and enjoy this teaching Hojin offered on creativity, connection and spiritual integrity.
Hojin Sensei: You can do an entire art practice with your eyes closed, so it’s not about technique. It’s about connections, about staying connected, turning off those voices that judge. Or, let the judge do your work! What does ‘judging my work’ actually look like? What would a judge draw? I mean, give ‘em a pen! Say “go to it, judge,” you know. They’d probably be, like, “naw, not that. You’re going to do that? no way, that doesn’t look like art.”
Like many communities around the world, at both Zen Mountain Monastery and the Zen Center of NYC we are concerned about the spread of Coronavirus COVID-19 and are monitoring the unfolding events related to the virus.
This excerpt, Manifesting Buddha by Geoffrey Shugen Arnold, is from the new journalMountains & Rivers: Zen Dharma and Practiceand explores how Buddhist practice manifests in our daily lives as illustrated by the Ten Guiding Values of the Beyond Fear of Differences. The journal features original contributions of dharma teachings and more from MRO dharma teachers, sangha artists and practitioners.
Even though the Catskills are frozen and quiet right now, if I close my eyes, I can already hear the returning song of the Hermit Thrush and smell the tulips blooming. Slowly the Esopus Creek, covered in ice, will loosen its grip on Winter and Spring will come.
The first two meetings of the ZMM sangha’s new “What is Whiteness?” (WIW) group began the same way: enlarging the circle of chairs in the Sangha House to accommodate far larger numbers than expected. The overwhelmingly high attendance on Sunday afternoons didn’t come as a surprise. Since the BFOD forum last March which invited the larger sangha into the anti-racism work—which smaller planning groups have been engaged in for a decade—many white sangha members have expressed different versions of the same sentiment: “When can we start?”
As fall ango came to an end, Monastery residents gathered to share their three-months of art practice. Led by Hojin Sensei, herself an artist, I felt that her deep interest in the work was contagious. Creative expression in art practice, one of the “eight gates” of Zen training, enriches our practice with something vital and uniquely alive.
From the ango opening retreat Peaceful Dwelling in early March through the greening trees and blossoms of Shuso Hossen in late May, here are highlights from our ninety-days of sangha practice at the Monastery in Spring 2019: