As fall ango came to an end, Monastery residents gathered to share their three-months of art practice. Led by Hojin Sensei, herself an artist, I felt that her deep interest in the work was contagious. Creative expression in art practice, one of the “eight gates” of Zen training, enriches our practice with something vital and uniquely alive.
A single word runs like a fissure through the short essays that introduce us to the poets collected by David Hinton in The Wilds of Poetry: Adventures in Mind and Landscape: “contact”. These poets, Hinton demonstrates, share a set of common philosophical assumptions that derive from the Taoist-Ch’an tradition, his field of expertise. That tradition entered the slipstream of American culture after the Second World War and affected the diverse fields of dance, theater, music, ceramics, the visual arts, philosophy, and poetry. Hinton traces the threads of influence and affinities among his selected poets, all of whom were wrestling with the American language to demonstrate into what he refers to again and again as “contact.” That is, the direct experience of the world unmediated by thought and interpretation.