by Geoffrey Shugen Arnold, Roshi
Gateless Gate Case 47
Doushuai’s Three Barriers
Master Doushuai made three barriers to test his students.
To inquire after the truth, groping your way through the underbrush, is
for the purpose of seeing your nature. Here, now, where is your nature,
If you realize your own nature, you are certainly free from life and death.
When your eyes are closed, how can you be free from life and death?
If you are free from life and death, you know where you will go. When the
four elements are decomposed, where do you go?
If you can rightly give the three turning words here, you will be the master wherever you may be, and live up to the Dharma no matter how varied the circumstances. If, however, you are unable to give them, I warn you, you will get tired of the food you have bolted, and well-chewed food keeps hunger away.
This one instant, as it is, is an infinite number of kalpas
An infinite number of kalpas are at the same time this one instant.
If you see into this fact,
The True Self which is seeing has been seen into.
If you’re free from life and death you know where you will go. When the four elements are decomposed, where do you go? This is the question that human beings have likely been asking since the beginning of our creation. Having a life force, what happens when we die? In death, where do we go? Read more
by Suzanne Taikyo Gilman
Looking around at the people and things which come into our orbit, we can be easily misled. The seeing mind is dynamic, complex, and can be affected by a gnawing hunger for lunch, a yearning for praise or even a craving for peace and justice, filling our minds with opinions and judgements. A wide range of feelings rise up when right and wrong becomes solidified. From within this familiar ground, we can find refuge in the Dharma teachings of “View,” the theme of this issue of Mountain Record. Read more
by The Buddha
Monks, right view comes first. And how does right view come first? One understands wrong view as wrong view and right view as right view: this is one’s right view. And what is wrong view? There is nothing given, nothing sacrificed, nothing offered; there is no fruit or result of good and bad actions; there is no this world, no other world; there is no mother, no father; there are no beings spontaneously reborn; there are in the world no ascetics and brahmins of right conduct and right practice who, having realized this world and the other world for themselves by direct knowledge, make them known to others. This is wrong view. And what is right view? Right view, I say, is twofold: there is right view that is affected by influxes, partaking of merit, ripening in the acquisitions; and there is right view that is noble, free of influxes, supramundane, a factor of the path. Read more
by The Buddha
Sakka, ruler of the devas, asked the Blessed One: “Beings wish to live without hate, hostility, or enmity; they wish to live in peace. Yet they live in hate, harming one another, hostile, and as enemies. By what fetters are they bound, sir, that they live in such a way?” Read more
by Zen Master Xiatang
To learn to be a Buddha, first you should break through the seeds of habit with great determination, and then be aware of cause and effect so that you fear to do wrong. Transcend all mental objects, stop all rumination. Don’t let either good or bad thoughts enter into your thinking, forget about both Buddhism and things of the world. Let go of body and mind, like letting go over a cliff. Be like space, not producing subjective thoughts of life and death, or any signs of discrimination. If you have any views at all, cut them right off and don’t let them continue. Read more
by Zen Master Hsuan-Sha
The earth and the sky are entirely composed of mind, but how do you explain the principle of being composed of mind? And how do you explain the reality of mind without form pervading the ten directions? There is no part that does not come from compassion producing knowledge, there is no part that does not come from knowledge activating compassion, and there is no part that does not come from compassion and knowledge equally illumining the ocean of essential nature, pervading the universe, completely fluid and free. Read more
by Zen Master Hongzhi
Contemplating your own authentic form is how to contemplate Buddha. If you can experience yourself without distractions, simply surpass partiality and go beyond conceptualizing. All buddhas and all minds reach the essential without duality. Patch-robed monks silently wander and tranquilly dwell in the empty spirit, wondrously penetrating, just as the supreme emptiness permeates this dusty kalpa. Dignified without relying on others and radiant beyond doubt, maintaining this as primary, the energy turns around and transforms all estrangement. Passing through the world responding to situations, Read more
by Bonnie Myotai Treace, Sensei
Book of Equanimity, Case 6
Ma-tsu’s White and Black
A Stage Whisper:
Where you can’t open your mouth, a tongueless person can speak; where you lift your feet without rising, a legless person can walk. If you fall within their range and die at the phrase, how can you have any freedom? When the four mountains all oppress you, how can you penetrate to freedom?
A monastic asked Great Master Ma-tsu, “Apart from the four propositions and beyond the hundred negations, please directly point out the meaning of living Buddhism.” Ma-tsu said, “I’m tired today and can’t explain for you. Go ask Zhizhang.”
The monastic asked Zhizhang; Zhizhang said, “Why don’t you ask the teacher?”
>The monastic said, “The teacher told me to come ask you.” Zhizhang said, “I have a headache today and can’t explain for you. Ask Brother Hai.”
The monastic asked Hai, who said, “When I come this far, after all I don’t understand.”
The monastic related all this back to Ma-tsu. Ma-tsu said, “Zang’s head is white, Hai’s head is black.”
Medicine working as illness—
It is mirrored in the past sages.
Illness working as medicine—
Sure, but who is it?
White head, black head—capable heirs of the house. Statement or no statement—
the ability to cut off the flow. Clearly sitting,
cutting off the road of speech and explanation.
Laughable is the old ancient awl at Vaisali.
This is one of the “Nanto“ koans, a variety of koan that is traditionally classified as difficult to pass through. Nanto koans demand a raw and wide presentation, and will be alive with a student for a student’s whole life, never settling into the comfort zone. This koan of Ma-tsu deals with the issue of existence itself. It takes up the basic matter of life and death—not just our physical death in the future—but also that undermining and ongoing sense of our present insubstantiality, the sense one can have of not being able to quite grasp a continuous self. It sends us looking for our life, bouncing off our ideas and formulations, right along with this earnest monk. Read more
When my son was born 20 years ago, I became very afraid of flying on air planes. It was not just a case of the jitters but more like curl-up-in-a-ball-and-miss-your- flight terror. While it is certainly possible to live a happy, fulfilling life without getting on an airplane, I started to doubt that I was re ally living from a place of clarity with this fear looming in the background. There was something just so off about how it ruled my behavior and, about nine months ago, my dis comfort with its constriction was becoming unbearable. Read more
THE WILDS OF POETRY:
Adventures in Mind and Landscape
A single word runs like a fissure through the short essays that introduce us to the poets collected by David Hinton in The Wilds of Poetry: Adventures in Mind and Landscape: “contact”. These poets, Hinton demonstrates, share a set of common philosophical assumptions that derive from the Taoist-Ch’an tradition, his field of expertise. That tradition entered the slipstream of American culture after the Second World War and affected the diverse fields of dance, theater, music, ceramics, the visual arts, philosophy, and poetry. Hinton traces the threads of influence and affinities among his selected poets, all of whom were wrestling with the American language to demonstrate into what he refers to again and again as “contact.” That is, the direct experience of the world unmediated by thought and interpretation. Read more